Take a look back at the history of AJA Video Systems on the occasion of their 25th year in business!

John Abt started AJA Video Systems with his wife Darlene in 1993 to develop simple digital parallel to serial and serial to parallel converters. Many of AJA’s products at their core continue to bridge connectivity and simplify pro video workflows through video up, down, cross format conversion.

An engineer by trade, company founder John Abt is still very hands-on in product development. Most recently, he designed the two 12G-SDI KUMO routers announced at NAB 2018.

Prior to founding AJA, Abt spent eight years working at Grass Valley Group (GVG) just as the digital revolution in broadcast was taking off. He grew up in Grass Valley and holds BS and MS degrees in Electrical Engineering from California State University Sacramento. Upon graduating from college, he spent eight years working for KXTV, the Sacramento CBS affiliate. He worked in master control and that is where he met his wife Darlene, also a broadcast engineer at KXTV.

One advantage to being in Grass Valley is access to great engineers, thanks to deep historical roots in engineering innovation.

Abt explained, “Not far from AJA’s campus, there is a building owned by Litton Engineering that’s been there since the 1950s. It was an incubator for many of the technology companies in Grass Valley. That’s where AJA was based in the early days. US Robotics invented the first 28K and 56K modems in that building, and there was a company there called Cyan that was a consultant for Atari and built some of the earliest video games. Coincidentally, back in the day, Steve Jobs, who was then with Atari, liaised between them and Cyan. Charlie Litton Sr. was a prominent defense contractor who moved to Grass Valley to start Litton Engineering. He lured Dr. Hare, the founder of Grass Valley Group, to the area and he also worked in the same building. He started the video technology legacy that has come out of this area.”

While Mini-Converters have been the bread and butter of AJA’s business, there are several long lead products backed by years of development that have also hit big. AJA’s first rack frame cards came out in 1997. The first PCI card, a single framestore, was released in 1998. At NAB 2002, the company introduced the first in its line of KONA cards: PCI cards for HD and SD real-time video

The next turning point for AJA came in 2003 when a collaboration with Apple led to the debut of the Io. AJA developed the hardware and Apple developed the software. Several successful collaborations with Apple followed, including the Io HD which was the first hardware product to natively support ProRes. It offerred desktop power in a mobile video I/O device. The Io XT was AJA’s first Thunderbolt device. The Ki Pro was the first affordable HD ProRes digital recorder and player.

The company pioneered the category of portable digital recorders with the release of the first Ki Pro in 2009, ushering in a new era of products that recorded edit-ready files, when the conventional path at the time was to record to tape. The FS family of frame synchronizers, often referred to by customers as the “Swiss Army Knives” of their digital workflows, because of their ways to solve any possible video bottleneck, have also been very popular. The latest FS-HDR was the first cost-effective product availble in the market to support live SDR to HDR, HDR to HDR and HDR to SDR conversion.

John Abt said, “You really have to look into the future when you’re building a long lead product. Launching a new line can take two to three years of development, and you hope that by the time you hit the market, you’ve hit the right timing. We know we’ve hit the right note when we continue building on a family of products, and thankfully we have done that with our Ki Pro, KONA, FS, Io, KUMO, Minis and several other lines. You’ve got to find the right balance of form factor, functionality, feature support, ease of use, price and performance—and sometimes a bit of luck too. Having many years of experience in the business makes this balance and timing easier to predict, but it’s never an exact science.”

As AJA grows into new areas, the company continues to deliver pathways for video professionals blazing new workflow trails, from HDR to IP-based standards. Just last year, the company introduced its HDR transforms live converter, the FS-HDR, which provides a fast way to bridge into support for HDR in production, post and delivery.

IP (Internet Protocol) also represents a massive change for professional production and post. AJA believes that at some point IP is the way that everyone in the industry will be working because the technology will enable the most cost efficient production and delivery methods, with built-in embedding, disembedding, routing and metadata support.

The industry is still working through standardization, but AJA remains actively involved with industry standards organizations like AIMS (The Alliance for IP Media Solutions.) AJA recently announced SMPTE ST 2110 support for KONA IP and 10GigE support for 2K/HD video and audio over IP using the Io IP or Avid DNxIP, as well as new IP Mini-Converters for HDMI display at point-of-use.

In addition to its retail products, AJA has a thriving OEM business licensing proprietary technology to many leading third-party equipment developers in professional streaming, video, audio and broadcast. For many years, the company has also developed custom products for the digital cinema industry (DCI), designing and building components for in-theatre projection.

“While it’s not something we market in the retail part of our business, our DCI products have pushed us to solve some incredibly complex engineering challenges while adhering to some of the most stringent security certifications in any industry,” Abt said. “These development exercises in problem-solving translate to better engineering and new levels of support across all of our retail products as well.”

As AJA’s customers continue to evolve, the company looks ahead to products that will solve tomorrow’s production and post-production processes—while integrating with existing infrastructure. As customers adapt to working within IP structures, and as the demand for professional quality audio and video for online streaming and mobile devices continues to push upstream from the ProAV market, AJA is devising new products to support top quality content regardless of delivery outcome.